−2.1 EV · shadows
Two stops too dark
Shot in shadow, blacks crushing. Detail seemingly gone.
Exposure—
Look—
REC · FRAMECRAFT v1
22 PROFILES · iPhone → ARRI
DaVinci Resolve Studio · macOS AS
HERO-FRAME 00:00:12:06
Grey in. Cinema out.
Cinematic color in four clicks.
FrameCraft measures your flat log footage, fixes it, then drops one of 40+ looks measured from real cinema frames — right inside DaVinci Resolve. No LUT that breaks on your light. No colorist required.
DaVinci Resolve Studio
macOS Apple Silicon
Watermarked trial — try before you buy
Drag to compare
Your camera is in here
22 camera profiles. Even your iPhone.
Pick your brand, done — FrameCraft does the color math. Shoot log and it just works. And if you don't: Rec.709 and HLG are in here too.
iPhone Apple Log
Sony S-Log3
Panasonic V-Log
Canon C-Log3
ARRI LogC4
Fujifilm F-Log2
Blackmagic BMD Film
DJI D-Log
Nikon N-Log
RED Log3G10
+ Rec.709 · HLG · Rec.2020
You know the feeling
It's not your eye. It's your tool.
A LUT is a fixed table. It knows nothing about your image, your light, your exposure. So it breaks on exactly the footage that needs saving.
FrameCraft does it the other way around:
measure first, then grade.
- You load a LUT pack — and on your light it tips green or burns the highlights away.
- You try to do it "properly" with color wheels — two hours later it looks different, not better.
- Two clips from the same shoot have two white balances, and your reel flickers in the cut.
- Shot at night? The LUT drags the scene up to daylight. The mood is gone.
FrameCraft measures your footage first — white balance, exposure, how bright the scene should really be — then lays the look on to fit. One node. Four steps. Done.
Auto-Rescue
Bad footage?
Built exactly for that.
Too dark, green, blown out — no LUT on earth saves that, because a LUT doesn't know your image. FrameCraft measures what went wrong first, corrects it, then puts the look on top. One click on Analyze hero frame and watch. Skip the sliders — one click and your shot is neutral.
+62 tint · green
Nasty green cast
Wrong white balance under artificial light. Skin goes sickly.
White balance—
Look—
+1.9 EV · clip
Blown out
Highlights slammed to white. Looks like it's lost.
Exposure—
Look—
The difference
A filter drags your night to day.
This one knows what you shot.
One click measures white balance and exposure, then locks them for the whole clip — no flicker. Click each of two clips from the same shoot and they land on the same target. Your reel stops jumping.
±0.08%
exposure match across clips, measured in the frame center
<0.25 EV
correction on a night scene — instead of ripping it up +2.0 EV
40+ curated looks
One frame. 46 worlds.
Film
Iron Hour01
Film
Night Blue02
Film
Grit & Gold03
Film
Golden Hour04
Ad
Amber Night05
Ad
Teal & Orange06
Ad
Clean & Bright07
Ad
Vivid Pop08
Music video
Neon Night09
Music video
Golden Punch10
Film 24 Iron Hour, Grit & Gold, Night Blue, Golden Hour, Bleach, Monochrome (true B&W)
Ad 12 Amber Night, Clean & Bright, Vivid Pop, Teal & Orange
Music video 10 Neon Noir, Golden Punch, Desert Punch, Vivid Impact
Neutral defaults: dropping FrameCraft on a clip changes nothing at first. Every effect is opt-in — you build the look up, it's never forced on you.
This is how you drive it
Category, look, done.
Unlock all 40+ looks — 89 €
Test the full version free · never buy blind
The difference
Measured, not painted.
Most LUT packs are the gut feeling of one person who turned sliders until it "looked good".
FrameCraft works differently. Every look is measured from over 150,000 frames of real productions — not "inspired by": the actual color distribution of real films, ads and music videos, computed and distilled into a grade.
150k+
cinema frames the looks are measured from
~2,000
real films ground the auto-correction
A normal LUT tool drags a night scene up to mid-grey. FrameCraft knows night is allowed to be dark, and lets it stay night.
For the skeptic — the proof numbers
Exposure matches across clips: the same frame at −1.5 / 0 / +1.5 stops lands within ±0.08 % in the frame center after the hero-frame correction.
Night stays night: synthetic night scene, correction under 0.25 EV instead of a +2.0 EV rip-up.
Colors converted correctly: for iPhone Apple Log, Sony, Panasonic, Canon, ARRI and 17 more cameras — the real color conversion from published manufacturer primaries, not just a tweak on the luminance curve.
One click reads white balance and exposure from a typical frame, then holds them for the whole clip. That's the "measure" that a LUT can't do.
Nobody else in this class does this
It sees your scene. Sky, skin, background.
FrameCraft finds the sky, the skin, the background — automatically — and grades them separately. Darken the sky, protect the skin, cool the background, all masked and tracked across the whole clip.
It runs locally on your Mac. No Python. No cloud. No upload, no wait. In Resolve this would be a power window plus a tracker plus a node — 20 minutes of colorist work. Here it's automatic.
This is the one thing no LUT pack in the world can do: it tells apart the sky and the person, and treats them differently.
SKY
SKIN
BACKGROUND
Runs on Apple's Neural Engine, ~23 ms per frame, entirely on-device. This is what a colorist does by hand with power windows — automatic here.
From grey to finished
Four steps. Under two minutes.
Step 01
Pick your camera
Drop FrameCraft on the clip, pick your camera brand — iPhone, Sony, Lumix, doesn't matter. FrameCraft converts the color correctly, not just the luminance curve.
iPhone · Apple LogSony · S-Log3Lumix · V-Log+ 19 more
Step 02
Analyze the hero frame
Park the playhead on a typical frame, one click. White balance and exposure snap into place and stay locked for the whole clip. No flicker.
Step 03
Choose a look
Category up top (Film / Ad / Music video), look below. The image jumps into the mood instantly. The first pick often already sits.
Step 04
Fine-tune — or don't
Intensity, tone, color density, skin protection. And if you want: diffusion, halation, vignette, grain, sharpness. All opt-in, all reversible.
The bonus
The expensive-lens glow — as a slider.
That soft, expensive "shot-on-film" glow around the highlights — you'd normally only get it with a 200 € diffusion filter in front of the lens (and then it's baked in forever). Here it's a slider you can dial back to zero.
Coming free for early access
What you buy today is only the start.
Lens character Coming free
- Real lens simulation from prescriptions — distortion, chromatic aberration, coma
- Not just the color of a film, the glass character too
- Vintage swirl, soft coating, real optics
Anamorphic & bokeh Coming free
- Horizontal blue streak flares — one slider, no 8,000 € anamorphic
- Lens-specific bokeh shape after the fact — onion rings, cat-eye, swirl
AI depth masking Coming free
- Separates foreground and background by depth, grades them apart
- Runs on the Neural Engine, on your Mac
Honest note: these are planned, not in the build yet — nothing above clicks in the trial today. Early-access buyers get them as free updates when they ship. Founder price means you pay the least and get the most.
Real footage, real people
Shot on the same cameras you shoot on.
Early access — these are placeholders for the first real creator results. No fake reviews, no invented numbers. Just footage, once it's shot.
Early Access
The cinematic look, without becoming a colorist.
One-time payment. No subscription. The signed version and the next feature updates of this version are included.
No subscription. No yearly fee. Pay 89 € once, it's yours.
Early Access
89 €
149 €
One-time · signed version + feature updates included
Early-access price — goes up to 149 € at public launch.
- 40+ looks · 3 worlds · 22 camera profiles incl. iPhone
- Auto-Rescue + hero-frame matching · night stays night
- AI scene-masks — sky / skin / background, on-device
- macOS Apple Silicon · DaVinci Resolve Studio
- Full watermarked trial — never buy blind
- 14-day money-back guarantee
Early Access = not yet Apple-notarized. One extra click on install — the signed version comes free.
Secure payment via Lemon Squeezy
VISA · Mastercard · Amex · PayPal · Apple Pay
14-day money-back guarantee · macOS Apple Silicon
Dehancer: from 588 $/yr · Filmbox Pro: 995 $ · CineDream: 99 $/yr.
FrameCraft in early access: 89 € once — no subscription.
FrameCraft in early access: 89 € once — no subscription.
Trial & FAQ
The honest answers.
Can I try it before I pay?
Yes, properly. You get the full version — all 40+ looks, every slider — with a subtle watermark in the image. Test it on your own footage, then buy a key: drop the license.key file in (it comes by email), restart Resolve, watermark gone. You never buy blind.
Do I need DaVinci Resolve Studio?
Yes. FrameCraft is an OFX plugin, and the free version of Resolve doesn't load third-party OFX plugins. With Studio (one-time ~295 €) it runs. If you edit in log, you probably already have Studio.
Does it run on Windows?
Not yet. FrameCraft is for macOS with Apple Silicon (M-series chips). Windows is on the list — no date yet.
What does "Early Access — unsigned" mean? Is it a risk?
Honestly: just one extra click. This version isn't Apple-notarized yet. The included installer clears the plugin for macOS once (double-click INSTALL.command, maybe your admin password). After that it loads normally in Resolve. The signed version comes as a free update — no re-purchase.
Isn't this just a LUT pack?
No. A LUT is a fixed table that doesn't know your image. FrameCraft measures your footage first (white balance, exposure, scene brightness) and lays the look on adaptively. That's why nothing breaks on unusual light, and why night stays night. It also masks sky, skin and background on-device — no LUT can do that.
Does it work with my camera / my iPhone?
Yes — 22 camera profiles. Front and center: iPhone (Apple Log). Plus Sony (S-Log3/S-Log2), Panasonic (V-Log), Canon (C-Log/2/3), ARRI (LogC3/LogC4), Fujifilm (F-Log/F-Log2), Blackmagic (BMD Film), DJI (D-Log), Nikon (N-Log), RED (Log3G10) — and plain Rec.709 & HLG. FrameCraft converts the color space correctly, not just the luminance curve.
Do I get updates?
Yes. Early-access buyers get the signed version and the next feature updates of this version for free — including the roadmap above (lens character, anamorphic, depth masking, bokeh) once they ship.
Refund?
That's what the watermarked trial is for: test the full version on your footage before any money changes hands. 14-day money-back, as long as the key hasn't obviously been used in production.
Grey in. Cinema out.
Cinematic color in DaVinci.
In four clicks. No colorist.
Test the full version on your own footage first. If it fits, it's 89 € once — the signed version and the next updates come free.